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“THE BERLIN CYCLE”<\/a><\/blockquote><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/irakliparjiani.com\/wp-content\/uploads\/2016\/09\/IMG_6584-1-scaled.jpg","thumbnail_width":2560,"thumbnail_height":1777,"description":"The series of paintings by Irakli Parjiani, entitled \u201cThe Berlin Cycle\u201d, was made during 1989 and 1990, a year before the death of the artist. The cycle is the final stage of his art, and the pieces thereof including religious compositions, landscapes and abstractions unite all trends appearing earlier in his art. This was the time when the series of portraits and flowers, the illustrations to \u201cFaust\u201d by Goethe, \u201cOdyssey\u201d by Homer, to the poetry by Galaktion Tabidze, Georgian and German myths and fairy tales as well as the well-known compositions \u201cAnnunciation\u201d, \u201cCrucifixion\u201d, \u201cAdam and Eve\u201d, the \u201cBoat\u201d cycle and \u201cAbstractions\u201d had already been made and when the Gospel had been copied and illustrated.Like a plant that gathers its entire vital energy by the end of the seasonal cycle to appear in its full bloom, the \u201cBerlin Cycle\u201d crowns the art of Irakli Parjiani. It is a large-scale project with respect to the number of the paintings and the format thereof as well as in terms of its theme, concept, implementation and the concentration of emotion\u2026 It is the final stage of the artist\u2019s stay in this world, his chance to apply his usual virtuosity to reveal his personal knowledge of the universe, his attitude and emotion thereto, a grand and closing manifestation of sharing his knowledge and experience. Those works seem to suggest the conscious anticipation of the artist\u2019s possible transcendence to the next world.That is why any message conveyed by those pictures is at the peak of emotional strain, on the verge of the being and the nonbeing. The ground of the pictures is the light \u201cspace\u201d embracing bodies and things like the water embraces the objects reflected therein making them lose their weight, their tangibility and concreteness. The artist, showing the \u201cface\u201d of an object, yet has, at the same time, his doubts about the material actuality thereof. As for the texture, the surface of the pictures also resembles the riffles on water. The space is structured by means of the \u201cflows\u201d of light, of luminous \u201cobjects\u201d reflected therein, whose corporality makes the impression of precious crystals. That is, the artist paints some other \u201cmatter\u201d thus moving from the world of physical \u201cobjects\u201d to the one of \u201cideas\u201d and transmitting it by means of religious themes applying the luminous, festive spectacle in order to proclaim the superiority of another world."}